Jesus del Gran Poder Procession

A sequencing of miniature rectangular frames

Brightly colored skaters wove a narrative by sequencing miniature rectangular frames that approximated motion by blink, blink, blinking on a screen. This, of course, illuminated both the unimaginable and the painstakingly spatial. The event, suitable for the currant bloodstream, was on par with now. Always and only, now. Operatives frequented makeshift macros, transcripting vast vigilantes with whom they sought consult. Metropolis unbound.

A sequencing of miniature rectangular frames

Brightly colored skaters wove a narrative by sequencing miniature rectangular frames that approximated motion by blink, blink, blinking on a screen. This, of course, illuminated both the unimaginable and the painstakingly spatial. The event, suitable for the currant bloodstream, was on par with now. Always and only, now. Operatives frequented makeshift macros, transcripting vast vigilantes with whom they sought consult. Metropolis unbound.

A sequencing of miniature rectangular frames

Brightly colored skaters wove a narrative by sequencing miniature rectangular frames that approximated motion by blink, blink, blinking on a screen. This, of course, illuminated both the unimaginable and the painstakingly spatial. The event, suitable for the currant bloodstream, was on par with now. Always and only, now. Operatives frequented makeshift macros, transcripting vast vigilantes with whom they sought consult. Metropolis unbound.

A sequencing of miniature rectangular frames

Brightly colored skaters wove a narrative by sequencing miniature rectangular frames that approximated motion by blink, blink, blinking on a screen. This, of course, illuminated both the unimaginable and the painstakingly spatial. The event, suitable for the currant bloodstream, was on par with now. Always and only, now. Operatives frequented makeshift macros, transcripting vast vigilantes with whom they sought consult. Metropolis unbound.
Public Project
Jesus del Gran Poder Procession
Copyright Andrés Yépez 2025
Updated Apr 2023
Location Ecuador, Quito
Topics Documentary, Ecuador, Photojournalism, Portraiture, Religion
LOVE
42