Joseph Rodriguez

Photographer
    
LAPD 1994
Public Project
LAPD 1994
Copyright Joseph Rodriguez 2024
Updated Aug 2024
Topics Photography, Spotlight
Joseph’s decision to collect his New York Times Magazine ride-along shots and produce this book is a deeply personal, political act. The photos display his subjectivity – sketched out by Lauren Lee White in her foreword – as much as that of the cops and the civilians. Those civilians, victims and sometimes perpetrators of violence, often are the target of the cops’ casual inhumanity – or worse. It is a portrait of a city in pain.

LAPD 1994 joins a body of work representing the city of Los Angeles to itself, its images part of a movement of creative self-expression among working class communities of color that had many precursors but crystallized in the 1990s – the moment in which South Central and East L.A., queer L.A., even homeless L.A. started telling their own stories.

Immersing you in the 1990s is essential because photography, after all, is about time – the moment the frame captures and the past and future it alludes to. It also is about place. Joseph’s images produce an overwhelming sense-memory for me: I survived and, honestly, thrived in that time and in that place, Our Lady Queen of the Angels of Porciúncula.

-Rubén Martínez, Journalist and writer
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The Gentrification of East Harlem

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The Gentrification of East Harlem

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Spanish Harlem: El Barrio In The 80s

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East Side Stories

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Reentry in LA: Tracey Stevens

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LAPD 1994 by Joseph Rodriguez
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