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The way landscape photography aestheticized historically often excludes conflict, contested histories, and social-ecological concerns. In my photographic work, I try to expose photography’s broader potential, as it can create links between the viewer and urgent social issues that connect to the collective body and the experience of climate change.As We Play God is a visual investigation into infrastructure failure and environmental collapse in the fastest-disappearing land on earth: Southeastern Louisiana. In this photographic and field research project, I look at the poetry of material systems’ failures by finding the human errors that collide with weather events to produce economically and spiritually costly catastrophes such as levee breaches and flooding. River deltas are dynamic, building, or eroding based on the rate of sediment deposit. However, since the original colonization of the homelands of the Choctaw and Chitimacha people, the “taming” interventions of the river system by the Army Corps of Engineers for short-sighted economic gain have increased dramatically; human infrastructure has choked these wild, living waterways, causing die-offs of entire ecosystems. My photographs attempt to unveil the absurdity of a white supremacist culture’s continued reliance on outdated technologies and ways of thinking—sandbags, small-scale physical models, myopic, protection of private interest —to provide a remedy for current environmental collapse.Through image-making, I hope to apply a visuality to the Anthropocene and the dire condition of a warming planet. My photographic work attempts to trace the fine line between hope and denial and how that relates to massive infrastructure projects meant to combat the inevitable of a rising water line. I am interested in how our perception of place is derived from an ever-shifting river and the always constructed levee edge. These resource-intensive infrastructure projects attempt to combat inevitable flooding. My work traces the space for failure in the scientific reality that is present in these reliably futile efforts.

As we play god

Profile photo of Leah Dyjak
Leah Dyjak
Assistant Professor of Visual Art based in Massachusetts
Public Project
As we play god
Copyright Leah Dyjak 2024
Date of Work Jun 2019 - Ongoing
Updated Oct 2021
Topics Climate change, Environment, Gulf coast, River, Sea level
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