Iannis Delatolas

Iannis has had solo exhibitions in New York City at Kouros Gallery (2006), the Gallery at the Chocolate Factory Theater (2007), The Italian Academy At Columbia University (2003, 2006), the Salvatore Ferragamo Showroom (2002); and also at the Greek Embassy in Washington D.C. (2006). His work has been included in group shows in New York at Jen Bekman Gallery (2011), The Center (Lesbian, Gay, Bisexual and Transgender Community Center, 2011) and Haven Arts Gallery, the FotoFilmic Travelling Exhibition 2018, at The Curve Exhibition Center in Santa Fe (2011), PDNB Gallery (Photographs Do Not Bend) in Dallas (2008) and at Boston University, curated By David Armstrong (2000). In 2011 at Center Gallery in Santa Fe, he won second place in Dealer's Choice, an exhibition juried by Dianne Vanderlip, Curator of Gagosian Gallery in Los Angeles and Curator Emeritus of the Denver Art Museum. Writing on his work has appeared in The Advocate (2012), The Village Voice (2012) by Michael Musto, The New York Times (2009) by William Chapman and the Dallas Morning News (2007). In 2005, Iannis's portrait of Tobias Schneebaum accompanied his obituary in The New York Times.
His work is included in:   Brooklyn Photographs Now, Marla Hamburg Kennedy, Phillip Lopate, Ane Pasternak (Rizzoli 2018),  New York: A Photographer's City, by Marla Hamburg Kennedy (Rizzoli, 2011) and his photographs illustrate The First Time I Met Frank O’Hara: Reading Gay American Writers by Rick Whitaker, (Four Walls Eight Windows, 2003). Following an apprenticeship with Robert Wilson, he collaborated with the theater director on Wilson's opera Prometheus (World Premiere, Athens, 2001) for which he structured the score by incorporating excerpts from compositions by the composer Iannis Xenakis.

Iannis a eu des expositions personnelles à New York à la Kouros Gallery (2006), à la Gallery at the Chocolate Factory Theatre (2007), à l'Académie italienne de l'Université de Columbia (2003, 2006), au Salvatore Ferragamo Showroom (2002); et également à l'ambassade de Grèce à Washington D.C. (2006). Son travail a été inclus dans des expositions collectives à New York à la Jen Bekman Gallery (2011), au Centre (Lesbian, Gay, Bisexual and Transgender Community Center, 2011) et à la Haven Arts Gallery ; et ailleurs au Curve Exhibition Center à Santa Fe (2011), à la PDNB Gallery (Photographs Do Not Bend) à Dallas (2008) et à l'Université de Boston, organisée par David Armstrong (2000). En 2011, à la Center Gallery de Santa Fe, il a remporté la deuxième place du Dealer's Choice, une exposition jugée par Dianne Vanderlip, conservatrice de la Gagosian Gallery de Los Angeles et conservatrice émérite du Denver Art Museum. Des écrits sur son travail ont été publiés dans The Advocate (2012), The Village Voice (2012) de Michael Musto, The New York Times (2009) de William Chapman et le Dallas Morning News (2007). En 2005, le portrait de M. Delatolas de Tobias Schneebaum accompagnait sa nécrologie dans le New York Times.

Son travail est inclus dans New York : A Photographer's City, de Marla Hamburg Kennedy (Rizzoli, 2011) et ses photographies illustrent The First Time I Met Frank O'Hara : Reading Gay American Writers de Rick Whitaker, (Four Walls Eight Windows, 2003 ). Après un apprentissage chez Robert Wilson, il collabore avec le directeur de théâtre sur l'opéra Prométhée de Wilson (Première mondiale, Athènes, 2001) dont il structure la partition en incorporant des extraits de compositions du compositeur Iannis Xenakis.