Visura is delighted to announce Italian photographer Francesco Anselmi as the recipient of the 2016 FotoVisura Grant for Outstanding Personal Story for Greek Chronicles.
Greek Chronicles is a long-term story that narrates the profound changes that Greece is experiencing. In 2012, Francesco began working on this series. Francesco writes, "I believe that the events that are taking place in Greece in the coming years will be crucial for the future of Europe."
We also want to recognize 24 photographers worldwide, who earned top honors and honorable mentions.
We extend our gratitude to the 2016 panel of judges:
Beth Flynn, The New York Times
Jean-Francois Leroy, Visa pour l'Image
Clinton Cargill, Bloomberg Businessweek
Kate Bubacz, Buzzfeed News
Michael Wichita, AARP
About Francesco Anselmi
Born 1984 in Milan, Francesco Anselmi lives between New York City, Milan and Athens. He completed degrees in photojournalism from the Istituto Italiano di Fotografia (2008) and the International Center of Photography (2010). Since 2012, he has been working on a long-term documentary story on the consequences of the economic crisis in Greece.
Francesco has won several recognitions including the Chris Hondros Fellowship Fund (2013) and the New York Times Company Foundation Scholarship.
His work has appeared in The Wall Street Journal, Die Zeit, Time Lightbox, Bloomberg Businessweek, Internazionale, L'Espresso, Sette, Sportweek, IoDonna among others.
His work has been exhibited internationally including at Visa Pour L'image (2013), Image Singuliere (2014), Les Rencontres d'Arles (2014), The Venice Biennale (2014) and the 2014 Lumix Festival for young photojournalism. In 2014, Franceso was one of the finalists of the Leica Oskar Barnack. Since 2011, Francesco is a staff photographer at Contrasto photo agency.
Photo by Francesco Anselmi from his long-term story 'Greek Chronicles'
Photo by Francesco Anselmi from his long-term story 'Greek Chronicles'
Note: Please contact the photographer directly if you are interested in reviewing any of these stories. It is Visura's mission for photographers to receive paid opportunities.
Photo by Joao Pina from his long-term story 'Gangland'
Portuguese photographer João Pina has been documenting the human cost of the next summer Olympic games in Rio de Janeiro. The story titled Gangland, is a personal exploration of the symbolic violence that the city and its residents live with every day.
A graduate of the 'Photojournalism and Documentary Photography program' at ICP, João's work has been published in The New York Times, The New Yorker, Time Magazine, Newsweek, Stern, GEO, El Pais Semanal, among others.
Photo by Juan Arrendondo from his long-term story 'Everybody needs a good neighbor'
Through Everybody needs a good neighbor, Colombian/American photographer Juan Arredondo documents the lives of child soldiers in Colombia. He explores the challenges these ex-combatants face to transition into civilian life in a society that is prejudiced against them and a country that must reconcile its past.
Photo by Anja Matthes from her long-term story 'The House of Bangy Cunts'
Through The House of Bangy Cunts, Luxembourgian/German photographer Anja Matthes documents the underground NYC Kiki Ballroom scene, a self-organized community of LGBTQ youth of color that provides a support system and an alternative to high-risk behaviors. The long-term story explores a complex community that shows immense creativity, strength and resilience in the face of violence, racism and homophobia.
Photo by Johnny Milano from his long-term story 'White Pride Worldwide'
Through White Pride Worldwide, American photographer Johnny Milano documents the growth of the White Power movement within the United States. He begun the story while attending the International Center of Photography in New York City in 2012. Since he has documented across the US, including in Georgia, Kentucky, Tennessee, Virginia, West Virginia, Texas, Ohio, and Arizona. The series portrays: the Ku Klux Klan, which is a homegrown group; and the National Socialist Movement, the country’s largest Neo-Nazi group.
Visura's goal is to further the work and career of photographers and visual artists worldwide. As a part of our mission, Visura protects unpublished work by providing tools to our members to keep the work private when submitting to grants and open calls. To facilitate the process for prospective buyers and editors, we made sure each photographer's name and image links to their Visura profile. As a result, any editor interested can contact the photographer directly to request more information. There are some powerful bodies of work that the world should see! No one person acts alone. Visura is proud to recognize and support each and every one of these photographers.
Erin Trieb, 2011 FotoVisura Grant Winner
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Beth Flynn Deputy Photo Editor The New York Times |
Photo by Lucas Menget |
Jean-Francois Leroy Director Visa pour l'Image - Perpignan |
Clinton Cargill Director of Photography Bloomberg Business |
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Kate Bubacz Senior Photo Editor BuzzFeed |
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Michael Wichita Director of Photography AARP |
• $5,000 awarded to one winner
• Shortlist: various levels of recognition
Photo by Kathy Ryan
All of us at Visura are so excited to announce the 2016 FotoVisura Grant for Outstanding Personal Stories. This grant is one I personally believe in so strongly. I have always thought that photographers who take on personal long term stories need as much support as our community can give. I am thrilled to have an incredible panel of judges who believe in the power of the personal story. Join us at Visura as we look to solve the many difficulties we all face in this creative world we love.