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© 2024 Amanda Mustard
I have had to spend more time in the US for the production of my doc, which has afforded me more quality time with the ones I love the most.
While it’s important for me on a personal level to stay low key about the production of my first feature doc, this year was a huge turning point on many fronts after six years of what can sometimes feel like pulling a train by my teeth. In June, I won the Whickers pitch at Sheffield Film Festival in June (overcoming a crippling amount of stage fright), and was one of 44 films accepted into the IDFA Forum in Amsterdam in November. My team has also expanded to include the collaboration of creative brains Charlie Tyrell and Josef Beeby (My Dead Dad’s Porno Tapes, Broken Orchestra), original music by the incredible Dan Deacon (what?!), and the production support of the wonderful Ark Media team in Brooklyn. The whirlwind experience of entering the doc film world from freelance photography has been transformative (and shocking), and I’m learning how much I love a more collaborative process.