Public Project
2016 Sally Gil
Copyright Rachel Moore 2024
Date of Work Sep 2016 - Nov 2016
Updated Jan 2021
Topics Abstract, Fine Art, Mixed Medium
The West Gallery will be transformed into a studio for a week prior to September 16th, as artist Sally Gil creates a site-specific collage installation.

Artist Statement

My work encompasses all kinds of “history:” sequences of events, stories, movies, the layering of paper, proximity, the characteristics of a place, of a life, of a bird flying across the sky and gone, passing times of days, of months, of years, houses being built and taken down...

For me a collection is a kind of story- this is how I see the world, trying to make sense, to explain and figure out why things are where they are, how things came to be, what came before what, and why.
Sequences and layers imply time passing and real events (the making of the artwork itself) and are thus a kind of truth. You could say I am after authenticity.

Images in my pictures form a collection of icons from a time and place. They are chosen according to my response to a setting, to composition, color, pattern and category of thing. My choices are approximate, but not random.

These icons are like words in a poem, linked by painting. Even though the images are of real places and from this world, say a tea bag wrapper or an image taken from an encyclopedia, what is real in my work and happening in real time is the painting. Painting and drawing serve as a link to the present moment.

I am interested in psychological ways of seeing and how shifting perspective alters the story one tells oneself. Like seeing the Statue of Liberty from the subway bridge: it’s very small and abstract - an idea - intimate like memory, encapsulated as a fragment. Seeing it on the boat to Ellis Island up close, it’s huge, imposing and physically affecting. Shifts in scale effect perception inviting the psyche to alternate between present reality and imagination.

I make my work to figure things out and to celebrate and mourn the world. It can be beautiful, rough and always changing. Painting, a thing of the imagination, is a place where this can be done.

-Sally Gil 2015-16

Click here to read a recent review in Seven Days!

Read the Curator's overview here

Curated by Sophie Bréchu-West
Exhibition dates: September 16 - November 13, 2016
2,409

Also by Rachel Moore —

Project

Exposed 2021

Rachel Moore
Project

Meleko Mokgosi: Scripto-visual

Rachel Moore / Stowe, Vermont
Project

One Beside Another

Rachel Moore
Project

Trade

Rachel Moore
Project

Prints

Rachel Moore
Project

2019 Suzy Spence: On the Hunt

Rachel Moore
Project

2018 Ordinary Time

Rachel Moore
Project

2019 Studio of Archeo-virtual Spiritings

Rachel Moore
Project

2019 Composing Form

Rachel Moore
Project

2016 Tara Thacker

Rachel Moore
Project

2018 Phil Herbison: The Infinite Shapes of Water

Rachel Moore
Project

2015 Line Up: Vermont Sculpture

Rachel Moore
Project

2016 Molly Davies: Beyond the Far Blue Mountains

Rachel Moore
Project

2016 People's Cloth Trade Show

Rachel Moore
Project

2016 Spruce Peak Artist Residency and Exhibition

Rachel Moore
Project

2016 Intimacy + Materiality

Rachel Moore
Project

Now You See Me: Best of the Northeast Masters of Fine Arts, 2015

Rachel Moore
Project

2015 Richard Whitten

Rachel Moore
Project

2015 Play

Rachel Moore
Project

2015 W. David Powell & Peter Thomashaw

Rachel Moore
Project

2014 Matthew Christopher: The Age of Conseqeunces

Rachel Moore
Project

2014 The Appearance of Clarity: Works in Black and White

Rachel Moore
Project

2014 Andrea Lilienthal

Rachel Moore
Project

2014 Surveillance Society

Rachel Moore
2016 Sally Gil by Rachel Moore
Sign-up for
For more access