Valérie Berta

Photographer
NA
    
Public Project
Melissa Horner
Copyright Valérie Berta 2024
Updated Sep 2020
Topics Activism, Arts, Beauty, Civil Rights, Discrimination, Documentary, Environment, Freedom, Genocide, Human Rights, Minority, Multimedia, Oppression, Photography, Photojournalism, Portraiture, Spirituality
Melissa Horner, 33, Métis and Turtle Mountain Anishinaabe (tribal affiliations,) creative, ancestor, PhD. student of sociology, Columbia, MO (originally from Montana.) 08/18/2020 

Words from a Wiisaakodewikwe*

Piled within me are slices of the United States’ complicated, narrativized, racial past. 
I come from people who spoke Michif, French, Anishinaabemowin, English, Cree, and German. From people relating across two continents from six nations. I was raised by the Rocky Mountains and am tied to the plains and lakes of the north. 
I am the product of migration and relocation. Of settling and colonialism. I come from immigrants of France and Germany. They were teachers, hunters, farmers, and homesteaders. They settled in North Dakota, Wisconsin, and later Montana. As settler-colonists they lent their hands, bodies, and words to a nation building on the exploitation and genocide of Native peoples.
I also come from French trappers, woodspeople, and fur traders who predated colonial powers and meandered back and forth along the then-non-existent boundary dividing the Canadadian from the American plains. I come from the unions between the trappers and the First Nations Nehiyaw and Anishinaabeg. 
I come from Anishinaabe who journeyed from the east to the Great Lakes, and then west through the Red River into the Turtle Mountains and on to the plains and woods of Montana. I am the product of rootedness and journey.
I witness skin and eye color, hair texture and tint, body height and shape that vary greatly among my relatives… like the land we appear in many forms
I shape a self-story that half burnt light and cerulean sky made me… and that I exist as a textured knot of privilege and survivance
My stories are those of lands and waters, details and complexities, discomforts and healing, debris and entanglements… they are personal and familial, shadowed and bright, mine… yours…
My stories insist on the inclusion of collective lived experiences, rich with the emotional knowledges of what pain and grief and hope meant or mean, now, in our pasts, as well as in our futures 
I feel my stories as well as think them
I understand storying as the birthplace of theories and selves.

*An Anishinaabe word for Métis women. Literal meaning is “half burnt woodswoman,” indicating the lighter skin tone of mixed-race Métis women as compared to the deeper skin tone of many Anishinaabe people.
3,942

Also by Valérie Berta —

Project

Rasha Abousalem

Valérie Berta
Project

The Black and White Ball

Valérie Berta
Project

The Black and White Ball

Valérie Berta
Project

Terryonna Nunnelly

Valérie Berta
Project

WE Out & Up

Valérie Berta
Project

Drag night.

Valérie Berta / Columbia, MO USA
Project

Anthony Plogger

Valérie Berta
Project

Black Lives Matter protests in Columbia, Missouri

Valérie Berta / Columbia, MO USA
Project

Radhia Khenissi

Valérie Berta
Project

Marekka Nickens

Valérie Berta
Project

L. Lou Davis

Valérie Berta
Project

Nikki McGruder

Valérie Berta
Project

Gretchen Maune

Valérie Berta
Project

Natalia Prats

Valérie Berta
Project

Caitlin Cunningham

Valérie Berta
Project

The Mudshow Diaries

Valérie Berta / United States
Project

The Mudshow Diaries book edit

Valérie Berta
Project

Voices Workshop

Valérie Berta
Project

Lifestyle Portraits

Valérie Berta / Columbia, Missouri
Project

Real Estate

Valérie Berta / Columbia, Missouri
Project

Shelter Animal Portraits

Valérie Berta / Columbia, Missouri
Project

Leaving Chicago

Valérie Berta / Chicago, Illinois
Project

Fun for Thought: School Photos

Valérie Berta / Columbia, Missouri
Project

Studio animal portraits

Valérie Berta / Columbia, Missouri
Melissa Horner by Valérie Berta
Sign-up for
For more access