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Nadja Wohlleben

Photographer
     
Lotus Flower
Public Project
Lotus Flower
Copyright Nadja Wohlleben 2024
Date of Work Mar 2020 - Ongoing
Updated Jan 2022
Location Berlin, Germany
Topics Corona, Covid-19, Documentary, Editorial, Emotion, Love, Motherhood, Pandemics, Personal Projects, Photography, Portraiture, Relationships, Spotlight

Lotus Flower 

(2020 - 2022)


Lotus Flower is a photographic love letter to the photographer’s daughter, Nia. The project first started as an intimate self-portrait series with Nadja’s partner, Seb, during the first Corona lockdown in Germany. A short time later, Nadja found out that she was pregnant with her first child.


Amidst the uncertainty of the new normal that the COVID-19 pandemic has created, the only constant is the love for our daughter. She is the Lotus Flower that blossomed from the harshest of environments, a ray of light and hope in times of death and unpredictably.

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THE KUNG FU NUNS OF THE HIMALAYAS

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Slow-Boil Refugee Crisis Takes Its Toll Even in Germany

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Once Inoculated by Its Nazi Past, Germany Harbors Growing Far-Right Currents

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German LGBTQ activist warns over 'worrying' hate crime rise for REUTERS

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WW2-ANNIVERSARY for REUTERS

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Fridays For Future calls for global climate strike for Reuters

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Municipalities are fighting against further admission of refugees for NZZ

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PORTRAIT

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Fish die-off in Oder River for STERN

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Massive fish die-off in Oder River for NZZ

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Increased prices and their effects on pensioners for ZEIT Online

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Ukrainian refugees in Berlin for NZZ

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Berlin protests against war in Ukraine for ZEIT Online

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Housing First for ZEIT Online

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Where is Ryan for ZEIT MAGAZIN Online

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The Life of a German pig for NZZ

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SHOSHO JIKINGE - Grandmothers in Nairobi's slums fight off rapists

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Illegal raves Berlin during COVID-19 pandemic for STERN MAGAZINE

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Sportwagenclub Leipzig for NEUE ZUERCHER ZEITUNG

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ZEINA NASSAR

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A SWORD & A SARI

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92 - Helga‘s Disappearance

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Displaced - Syrian Refugees in Lebanon for HUMEDICA

Nadja Wohlleben / Bekaa Valley, Lebanon
Lotus Flower by Nadja Wohlleben
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