Background of the project and my story
The war in Ukraine, which began on February 24, 2022 at the whim of the President of Russia, overnight ruined the lives of thousands of people.
Almost immediately after the outbreak of hostilities, the government of Russia issued decrees that completely cut off the oxygen for free journalists, forbidding them to cover events from a truthful and disadvantageous side for the Russian politicians. Publications and magazines began to close, freedom of speech ceased to exist. As a freelance journalist, I had to leave Russia on March 4 to avoid repressions.
After staying a couple of weeks in Istanbul I felt that I had to be in the center of events, to be closer to the Ukrainians so I went to Moldova where I spent 2 months documenting migration crisis caused by this war. I felt incredible pain for what was happening and the work saved me.
I started documenting the events from the very border with Ukraine at the Palanka checkpoint. After that I worked in temporary accommodation centers, where I communicated with the refugees in more details, writing down their stories. Since the beginning of the war, more than 200 points have been opened across the country in the variety of locations from sports complexes to hospitals. At the Moldexpo - a former exhibition complex and later a covid hospital, I stayed for two months, making the project “Lost Light”.
Lost Light
Chisinau, Moldova, 2022
Since the beginning of the war in Ukraine on February 24, 2022, more than 400 thousand refugees have entered neighboring Moldova, most of whom continued their journey to Europe, but 90 thousand remained on the territory of the Republic. More than 70 thousand of them are minors.
The characters of this story are children from different regions of Ukraine that have been subjected to the Russian aggression - Nikolaev, Kharkov, Kherson and others. All of them live in a temporary accommodation center in Chisinau, Moldexpo. This is a former exhibition complex, and later a covid hospital. Children are forced to huddle in small rooms made of drywall without doors or ceilings, in unsanitary conditions. These boys and girls are acutely worried about leaving home, they miss their relatives, friends who stayed in Ukraine, pets, toys, favorite parks and streets.
Within the framework of the story, with the help of a projector, I overlay photographs from the happy, pre-war past of these children onto their figures and current living conditions thus showing the consequences of this terrible war. I asked the children's parents for the projected photos, we chose them all together - these are the most memorable and dearest images, reminiscent of home, which capture favorite places and moments which were destroyed by the war.
I have also collected and photographed items which I found inside the rooms. These items have been left by children who moved to another refugee center or to Europe. The items have formed the second part of the project.
I: Portraits and stories of children
II: Photographs of the collected items
III: Exhibition
In December 2022 I organized an exhibition at Dokk1 in Aarhus (Denmark). The exhibition took the form of an installation which recreated living conditions of children - characters of the present story.
I built a box made of drywall, 2 x 3 meters - the same as children lived in at the Moldexpo refugee center in Chisinau. I put the portraits of the children and their stories inside together with all the collected items.
I have also put wax crayons on the floor inside the room and allowed audience to use them to draw on the walls whatever they wanted. Thus I have made the exhibition interactive and got feedback from the audience in quite an unusual manner.